Chronic Town by R.E.M.
There's a few "reviewisms" that I actively avoid, and quoting lyrics is one of them. It's lazy, it fills space, hacks do it. I'm making an exception for R.E.M.'s often-overlooked debut EP, Chronic Town, because even if I show you the lyrics, you won't get what they mean. It's a mish-mash of Americana, peril, in-jokes, and warnings from mumbler-in-chief Michael Stipe, over chiming guitars, moody Rickenbacker basslines, and a hyperactive backbeat from drummer-farmer Bill Berry:
There's a secret stigma, reaping wheel Diminish, a carnival of sorts Chronic town, poster torn, reaping wheel Stranger, stranger to these parts Gentlemen don't get caught, cages under cage Gentlemen don't get caught Boxcars (are pulling) out of town
Early R.E.M. had a sound much different than the folk-stadium sound they'd develop post-Green. It's too pop to be that experimental, too oblique to become mainstream, and too catchy not to love it anyway. Chronic Town is the purest and most ragged distillation of that sound. Opener "Wolves, Lower" sounds like creaky floors and lynch mobs, "Gardening at Night" is pleasantly futile, and "Carnival of Sorts" careens off the fucking tilt-a-whirl in spectacular fashion. The second side is less noteworthy, and the "ball and chain" refrain in "Stumble" is just annoying. Though R.E.M. would go on to become menaces to society, white liberal politicos, straight pride icons, and frequent collaborators of other bands, Chronic Town catches them as 22-year-olds without much better to do. And that's the best kind of R.E.M., really.